I’m very honored to be part of the upcoming People And Places exhibit at Gallery 1448 from November 3-26, 2023 with LuAnn Zubak, Micah Moon, and Jennifer Hogan .Opening reception is Saturday, November 3, 2023 from 6-9pm.

I’ll be exhibiting a selection of work from the Where I Am series, including some of my earliest landscapes. The Where I Am series was photographed in Keating Summit, PA over the span of 25 years. In the early 1960s, my uncle purchased a large parcel of land among the rolling hills of north-central Pennsylvania for a hunting camp. Keating Summit became a locus for family gatherings and retreats, and a touchstone for my emotional and creative evolution as an artist, wife, and human being.

image above: In The Early Morning, archival pigment print on Hahnemühle Bamboo paper, 22×17″

I’m very honored that The Tale of Two Egrets was selected by Paula Tognarelli, director of the Griffin Museum of Photography, for the Once Upon A Time group exhibit at the museum’s satellite gallery at Lafayette City Center in Boston, MA. The exhibit will be on view from November 23, 2021-February 18, 2022.

image above: The Tale of Two Egrets, archival pigment print on vellum and white gold leaf, 12.5x`8″

I’m very honored that Fog, White Rocks is included in the group exhibit In Celebration of Trees juried by Catherine Couturier at PhotoPlace Gallery. The exhibit will be on view in the gallery by appointment only from June 25 – July 16, 2021, or view the exhibit online.

above: Fog, White Rocks, archival pigment print on vellum and silver leaf, 8×10″ image on 12.5×18″

I’m very honored to have two prints from my Equinox series included in the Botanical exhibit at A. Smith Gallery in Johnson City, TX. Thank you to juror, Wendi Schneider, for awarding Apple Blossom (Manus domestica) a Juror’s Honorable Mention. The exhibit is on view in person by appointment only from June 4 to July 18, 2021, with an online reception through Facebook Live on June 26, 2021 at 4pm CDT.

left: Apple Blossom (Manus domestica), 2021, archival pigment print on Washi Unryu paper, 11×14″ image on 14×17″

right: Dogwood (Cornus florida), 2021, archival pigment print on Washi Unryu paper, 11×14″ image on 14×17″

I’m very honored to have two gilded vellum prints in the Photography: Your Vision juried exhibition at D’Art Gallery in Denver. Many thanks to juror Maureen Ruddy Burkhart for awarding my print Sunday in the Park with an Honorable Mention. The exhibit is on view from April 8-May 2. You can also view the exhibit with juror’s comments online.

Left: Fog, White Rocks, archival pigment on vellum with silver leaf, 8×10″ image on 12.5×18″; Right: Sunday in the Park, archival pigment on vellum with white gold leaf, 8×10″ image on 12.5×18″

I’m very honored that Edge of Nowhere from my Wilderness Within series will be included in the 7th Annual Allegany National Photography Competition & Exhibition by juror Karen Irvine, Chief Curator & Deputy Director of the Museum of Contemporary Photography, Columbia College Chicago. The exhibition will be on view from April 3-24, 2021 online and at the Allegany Arts Council’s Saville & Schwab Gallery. There will be a virtual Gallery Walk & Talk on April 17th from 5:30-6:3-pm.

Edge of Nowhere, archival pigment print on Hahnemühle Bamboo paper, 22×15″, 25×20″ framed.

I’m very honored that Sunday in the Park from The Wilderness Within series is part of the Digital Directions juried exhibit at Maryland Federation of Art in Annapolis, MD. The exhibit was juried by Marta Finkelstein, Adjunct Professor at the VCU School of Arts; and is on view from February 3-March 6, with a Zoom reception on Friday, February 12 at 6pm. You can view the exhibit online.

Sunday in the Park, archival pigment print on vellum and white gold leaf, 12.5×18″, 15.5×19.5″ framed

It was an honor to be the juror and curator for Fotofoto Gallery’s 16th National Photography Competition, on view in the gallery from February 4-March 6.

I had a very difficult task of selecting only 30 images, including three winners, from 667 entries. As I was curating and sequencing the exhibit, I was conscious of selecting a diverse group of images that, as a whole, tell a story about the extraordinary year we’ve experienced, and how we’ve reacted to the pandemic. As I look at the exhibit, I see overarching themes of isolation, loneliness, identity, memories, longing, beauty and, ultimately, hope. You can view the exhibit online at the gallery’s website, or an online tour of the gallery installation.